To register for updates from S. J. Parris, simply fill in the form below and hit subscribe.

* indicates required

Permission to contact via:

S. J. Parris & Stephanie Merritt will use the information you provide on this form to contact you via email newsletters. Please confirm you acknowledge this by checking the box above.

You can change your mind at any time by clicking the unsubscribe link in the footer of any email you receive from us, or by contacting us at sjparrisbooks@yahoo.com. We will treat your information with respect. By registering, you agree that we may process your information in accordance with these terms.

We use MailChimp as our marketing automation platform. By clicking below to submit this form, you acknowledge that the information you provide will be transferred to MailChimp for processing in accordance with their Privacy Policy and Terms.

S. J. Parris and Stephanie Merritt

Review < Back

Edinburgh 2014 comedy - what you have to do for a laugh these days

Sunday 17th August 2014

The concept of Instrumental, Vikki Stone's new show (Underbelly), seems challenging enough to begin with: Stone, a classically trained musician, attempts to play 20 different instruments as a backing track, often several at once thanks to the magic of looping. The English standup burst on to the fringe in 2011, combining her impressive musicianship and energetic delivery in startlingly explicit comic songs about wanting to do filthy things to Phillip Schofield. There's more of that this year, but it quickly becomes clear that the mad dash around the instruments is a cover for something else. "This is a show about trying and failing," she explains.

It's really a show about her late father's failed attempts to give up the drinking that recently killed him. Stone isn't the first comic in recent years to introduce a bittersweet note by talking about bereavement, but Instrumental is never mawkish, even in the one serious number. It's quite an achievement to bring an audience close to tears then leave them feeling uplifted, but Stone manages it here, proving she's at her best when her songs are linked by a more substantial narrative...

Cookies

This site uses cookies to store temporary imformation whilst you are using the site - this makes the site quicker to use.
These cookies contain no personal information and the data that they do contain are not shared with anyone, or used outside of this site.

More information

OK